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April / 2006 |
Nietzsche's Philosophy of Religion
by Julian Young
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Published 2006
Cambridge University
Press |
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Philosophy |
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242 pages |
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ISBN 0521854229 |
BOOK DESCRIPTION: In his first book, The Birth of Tragedy, Nietzsche
observes that Greek tragedy gathered people together as a community in the sight
of their gods, and argues that modernity can be rescued from 'nihilism' only
through the revival of such a festival. This is commonly thought to be a view
which did not survive the termination of Nietzsche's early Wagnerianism, but
Julian Young argues, on the basis of an examination of all of Nietzsche's
published works, that his religious communitarianism in fact persists through
all his writings. What follows, it is argued, is that the mature Nietzsche is
neither an 'atheist', an 'individualist' nor an 'immoralist': he is a German
philosopher belonging to a German tradition of conservative communitarianism -
though to claim him as a proto-Nazi is radically mistaken. This reassessment
will be of interest to all Nietzsche scholars and to a wide range of readers in
German philosophy.
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Excerpts (pp. 121-2):
CULTURAL CRITICISM: (I) THE 'MOTLEY COW'
We denizens of modernity are, says Nietzsche,
'hybrid', mixed men. We need history as a storage closet of costumes, but
nothing looks right on us. Thanks to our 'historical sense' (the critique from
the second Meditation reappears) part of every past way of life radiates
in us, making us a kind of chaos (BGE 223-4). Section 215 applies this to modern
morality in particular. Our actions come under the aegis of a variety of
moralities and so present themselves ambiguously. We attempt to negotiate
between moralities but rarely succeed. The result is ethical confusion both
between people and within the individual soul (BGE 260). In every aspect of
cultural life modernity is 'chaos' (BGE 224).
But what is actually so wrong
with this state of affairs? Nietzsche calls us 'half-barbarian'. We have a taste for
everything (one might call to mind, here, the nineteenth century's raiding of past styles of
architecture or our own taste for each and every ethnic cuisine). Such lack of
discrimination is, however, 'ignoble'. Noble cultures distrust everything new
and foreign. What modernity has no feeling for are those moments in which human
life is 'transfigured', when art and culture reach a genuinely 'noble' moment of
‘smooth seas and halcyon self-sufficiency', when a culture has 'perfected'
itself and undergoes a 'sudden harnessing and fossilizing' in 'settling down. .
. on ground that is still shaking'. Instead of being able to take pleasure in
this moment of perfect stasis, our pleasure is in 'the thrill of the infinite,
the unmeasured' (the Internet, for example) (BGE 224).
The point Nietzsche is really
making here is that we have no culture (Kultur). In that
sense we are 'barbarians', We are only 'half' barbarians because we do have 'civilisation
(Civilization)' -- police and plumbing. What we
lack is a shared, meaning-giving conception of the good life.
Anticipating the
post-modernists' earnest insistence that we regard everything as 'play',
Nietzsche says that the only way to survive in the modern world is to
make it all a motley carnival of mocking laughter. If, that is, we live in
ironic detachment we may be able to take some pleasure in the 'infinite and
unmeasured': in surfing from one Internet chat-room to another, 'morphing' from
one personality to another, in chameleon like role-playing, 'costume' changing,
in being, as Nietzsche often puts it, an 'actor'.
The trouble with modernity
is then, in a word, that we are not in Nietzsche's sense a Volk. We lack the
'hardness, uniformity and simplicity of form' (BGE 266) of a genuine community,
the shared understanding of world and ethos which produces 'something that
"understands itself" - a
people' (BGE 268). In a word, whereas a healthy culture/people/community needs
structured unity, modernity is simply 'chaos'.
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